‘Heart in the Right Street’ a report by Create Streets

I attended the launch of this report last week, at the invitation of its author, Nicholas Boys-Smith, I felt compelled to do so, as he claimed that I had in some small way inspired him to write it. Two years ago he made a presentation at HTA and at one point I challenged him to back up some of his claims for how certain building types were ‘better’ than others, with evidence. He felt then that his answer was unsatisfactory, and when the opportunity arose to produce this report, he used it to provide a better answer. I may not agree with everything in the report, but I wish everyone took my questions as seriously!

Attendees to the event were given a sort of ‘cheat sheet’ with ten guidelines for how to create good cities, and the report presents the evidence culled from numerous studies to back up the ten points. I paraphrase them as follows

1. Provide Greenery

2. Build more houses than apartments and build at higher density than the suburbs, but lower than necessitates high rises.

3. Build at human scale and never house children in high-rises.

4. Created connected walkable environments

5. Mix up land use with many uses

6. Block sizes should be ‘not too big’ and made up of individual buildings, not super sized buildings occupying a single block

7. Minimise internal communal space and corridors

8. Beauty matters, 

9. Create mixed facades at street level, shops, entrances, etc.

10. Make neighbourhoods dense enough to be walkable, 150-220 homes per hectare.

Most housing designers wouldn’t be too frightened by this, in fact most would support most of them, if not all of them, most of the time. But probably wouldn’t support all of them all of the time. The report is well researched and documented and could be recommended for no other reason than its bibliography which provides any interested party with a serious amount of good reading material. He references Charles Montgomeries Happy Cities book a lot, which is a good thing, as well as academic research from around the world on city living in Singapore, Vancouver, Newcastle, Copenhagen, Hong Kong and, of course, London.

About the only area where I find myself violently disagreeing with Nicholas is on the subject of ‘Beauty’. He maintains that beauty is not really in the eye of the beholder and he points to a lot of research to suggest that people do know what they like, and what they like is not liked by architects. He goes on to suggest that if more new development followed his rules and was also liked by people (because it conformed to a more general sense of beauty), then more high density life would  be allowed to happen and we would all be better off. 

I find it optimistic that changing the appearance of some modern development would make its neighbours welcome it any more than they do, motivated as they often are, by concerns over traffic, schools, and a general incoherent fear of change.

The simple reality, as I see it, is that architects don’t exist to provide what people ‘like’ any more than any artist exists to provide what people like. You might say that architecture is not ‘Art’ but you would be wrong. The purpose of Art is not to comfort and reassure, but often to challenge, sometimes startle. I do agree that housing architecture should never terrify or induce fear, that would be going much too far, but trying to create an environment like the Disney Main Street is something housing architects are not supposed to do. That is the job of set designers, a different species entirely. Our job is to create good neighbourhoods where people will want to live, but we must also always deliver good value for our clients. He who pays the piper calls the tune.

This is a good and well-researched project. It’s aims are positive, and well-meant, but sometimes overstepping the bounds of academic research into populist polemic. All housing architects who take their work seriously should read it and be as knowledgeable about the research as the author is. Housing architecture is a serious responsibility and not to be taken lightly, and this work echoes that seriousness by providing pointers to a lot of recent valuable research, as well as pointing to many areas where further research would be useful and welcome.

A point that doesn’t really come across from the work, although it is one of the ten guidelines, is that suburban density is not high enough to create successful living environments. Much much more of modern housing is built at suburban density than any other density, and in terms of numbers, the towers that he dislikes so much will only ever provide a fraction of the new housing in cities, whether they are liked or not. Suburban density causes so many other problems in the form of long commutes, high CO2 emissions, use of agricultural land, than high-rises do, but the idea of suburbia is not disliked by the general population nearly as much as they dislike high-rise living. 

If this book has any impact on policy, I would like it to prompt a review of the density of new suburbs. We are fooling ourselves by thinking that low-rise low-density suburbs are the answer to any of our housing problems.

On the one had Nicholas would have it that the people are right, to seek their idea of beauty and to decry high-rise living, but on the other hand they are wrong to hanker for the suburbs and the inevitable burden on the planet and personal isolation it brings. I think he wants to have his cake and eat it. But, don’t we all?

Building your Sustainable Library

You wait a while for a good book and then two come along at once. 

I attended the UK launch of two different books relevant to you this week, the first was ‘Sustainable Cities – Assessing the Performance and Practice of Urban Envrionments’ edited by Pierre Laconte and Chris Glossop and published by I.B.Tauris ISBN 978-1-78453-232-1.

This is a portmanteau publication, containing a number of chapters written by other authors, some of which will have been published elsewhere in some form, but not all together as in this case, and not carefully considered for their relevant to this important topic. 

The question of sustainable cities, what defines them, what standards allies to them, how do we choose indicators to assess the, and when we build them how do we know we have succeeded, are all questions tackled by authors in this publication. Given that we have now passed the point at which 50% of the worlds population lives in cities, there is hardly a bigger question for sustainability specialists to work on. If we can crack this, we can avoid runaway climate change.

Authors include Dr. Kerry Mashford, the late Sir Peter Hall, Chris Glossop and Dr Ian Douglas.

I also attended a lecture given by architect Stefano Boeri on his recent project in Milan, Bosco Verticale. The event was hosted by the Engineering Club at the Congress Centre. (A few architects turned up)

Bosco Verticale translates to Vertical Forest, and his two buildings in Milan, evenly constructed for Hines, and then sold on to Qatari Diar, demonstrate what he means by this. Each apartment has a tree on the balcony, several metres tall, together wth a quantity of shrubs and smaller plants. The publication ‘un Bosco Verticale, a vertical Forest- instructions booklet for the prototype forest city’ published by Corraini,  ISBN 9-788875-705411 was available on the night and furnishes a lot of background information to the project including the following numbers. 

The project provides two hectares of forest and 8900 Sqm of balcony area.

This includes 711 trees, 5,000 shrubs, 15,000 perennials, absorbing 19,825kg of CO2 per annum.

There are approximately 1600 birds and insects (although how they could know this is not explained!) This includes a box of ladybirds imported from Germany to eat aphids and other pests. (I don’t know why they needed Germany ladybirds)

The design uses 94 species of plants, giving it a very high level of biodiversity.

The trees are planted in steel-lined planters to prevent the roots cracking the structure, and they are loosely tied back to the structure in case they could be blown off iin hurricane level winds. The steel-linings will also constrain the growth of the trees so that they cannot get too big for the space available or too heavy for the structure. They are a bit like enormous  bonsai trees. They are maintained partially from the balconies, but the outer sides are pruned by gardeners that abseil down the outside of the buildings twice a year. While this might sound outlandish, consider that many glass buildings are routinely maintained by abseilers. 

The result is extraordinary, a pair of buildings that look like no others, and a second project is underway in France. Stefano was quite straightforward in admitting that it took some time and a lot of effort to convince his clients that this could work. There are elements of what was built that he will change the second time, and he has plans to continue to develop  the idea on a larger scale.

He was asked many times by the audience about squirrels, which he was not in favour of, but which he expected to arrive anyway, and also about fruit trees, as none of the species used are fruiting trees. He cited concerns about the dangers of falling fruit as the reasons why they weren’t used. This sounds to me like a problem that could be solved, and would add a further beneficial dimension to what is already a beautiful and convincing idea. 

This is an inspiring idea and one that merits your attention.

Image https://commons.m.wikimedia.org/wiki/File:Bosco_Verticale_from_UniCredit_Tower,_Milan_(17591709258).jpg